Final weeks of BODIES AND ANTIBODIES, on view until Sunday 28 January
With works by Malin Hallgren, Maja Malou Lyse, Cassie Augusta Jørgensen and Erika Stöckel, the exhibition BODIES AND ANTIBODIES continues at Index until Sunday 28 January.

The constellation of artistic works creates an interplay of positions: the body as subject and object, vessel and commodity, resisting or succumbing to the values ascribed. One starting point is the questioning of attitudes to identity construction and historical approaches to the concept of femininity. is there such a thing as emancipatory exhibitionism, or is the body inevitably exploited when exposed? The voice – and the possibility of having a voice – resonates in the exhibition as a political desire to dismantle the status quo.

During the final weeks of the exhibition, welcome to join a series of three events which host discussions around artists, bodies, and images.
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 With this event, KRO (the Artist Association in Sweden) and Index join forces to define a dialogue and presentation between artists participating in the exhibition and in the latest issue of KRO’s magazine Konstnären, which explores thematics around artists’ bodies, health and the meanings it can have for and within the work of artists. Cassie Augusta Jørgensen and Cristian Quinteros Soto will be in conversation during the event.

Cassie Augusta Jørgensen will talk about her practice and film work currently presented at Index, The Danish Girl Dick, which traces a plurality of histories of bodies in transition. The practice of Cristian Quintero Soto brings focus and attention to the image of the body, questioning body norms. His project Badsäsongen (Bathing season) documents naked swimming situations in Sweden throughout the year. The cover of Konstnären #4/2023 features one of his photographs.

Konstnären #4/2023 will be released after the talk with an introduction led by its editor Robert Stasinski.
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 In connection with BODIES AND ANTIBODIES, Index invites Carmen Lael Hines to give a talk relating to bodies, AI, contemporary art practices, new meetings and definitions of public and private encounters.

Carmen Lael Hines is a writer, researcher and curator interested in technology, bodies, and the implications of their entanglements. She has lived and worked in the UK, Italy, Puerto Rico, Austria and the US. She is a lecturer in the Department of Visual Cultures at the Technical University of Vienna, where she teaches critical theory to students studying architecture. She is currently pursuing a PhD in philosophy at the Academy of Fine Arts, Vienna.

Her most recent writings have concerned topics such as AI, neoliberal aesthetics, femtech, home automation, dating apps, platform urbanism, and the architectures of speculation. She is currently co-editing the book Dissident Practices: Posthumanist Approaches to a Critique of Political Economy, to be published by Bloomsbury.
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 Welcome to a conversation and screenings with Jonatan Habib Engqvist and Bohdan Bláhovec at Index, in collaboration with Ord&Bild, the Czech Center in Stockholm and the Embassy of the Czech Republic in Stockholm.

During a spontaneous visit to Folkets hus in Småland’s Blomstermåla, Jonatan Habib Engqvist sees a black and white photograph that raises questions. Gradually, a story unravels which includes the Soviet invasion of Prague, Swedish Television’s summer entertainment in the 70s, men’s magazines at the Royal Library, and six young women from Czechoslovakia who married in Stockholm to travel to South America and record their music. Along the way, he is connected to Bohdan Bláhovec, a Czech filmmaker who has been perusing the same band with the aim of making a documentary film. The conversation at Index will depart from Habib Engqvist’s text published in Ord&Bild #5 2023 Ghosts, and parts of Bohdan’s unique filmed material.
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 Save the date for the opening of Josefin Arnell’s upcoming exhibition at Index!

The work of Josefin Arnell (b. 1984, Sweden) defines a loaded visual language combining anger, desire, disgust and pleasure. Her films and works present complex realities, socially marginalized characters and absurd fictionalization. Josefin Arnell’s work has largely not been shown in Sweden.

This exhibition offers Index the possibility to present a body of work that has been growing over years, developing through internal connections and cinematic experimentation. The exhibition with Josefin Arnell will present a selection of films – new and existing works – to be related to within a close proximity and time span. Jumping between genres, Josefin Arnell finds ways to question the relationship with the viewer, while embracing provocation, moral questions, and with filmic characters whose backgrounds escape the norm.
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