Welcome to the opening of ALJUB, a solo exhibition by Claudia Pagès Rabal.
Claudia Pagès Rabal creates scenarios where multiple layers, dialogues and choreography define new possibilities for art. Her video installations offer a special physicality observing social and economic realities: focusing on identity, infrastructures, and history but also relationships, social codes and heritage. The concept of time in her work is that of a condensed one, presenting performative situations in real time while embracing centuries of history.
The exhibition ALJUB is the first presentation of Claudia Pagès Rabal in the Nordic Countries. “Aljub” is a peculiar word, Arabic in origin and not commonly used in Pagès Rabal’s native Catalan. It translates to cistern, a tank for storing water, which becomes both an idea and a real object defining the exhibition. Pagès Rabal’s video installation Aljubs i Grups was co-produced with Index when it was first shown at the European Nomadic Biennial Manifesta15 in Barcelona, and it now anchors her exhibition in Stockholm.
At 18:30, during the opening, there will be a talk between directors of Index and the artist.
At 19:00, during the opening, nara is neus, who have collaborated with Pagès Rabal on the sound design and production for Aljubs i Grups, will present a performance taking place in conjunction with the installation at Index.
Index would like to thank TBA21 Thyssen-Bornemisza Art Contemporary and Institut Ramon Llull for their collaboration with the exhibition. More
September Sessions – A Contemporary Art Festival in Stockholm is back with a prolific programme spread over various art spaces as well as public locations in the city. The four-day festival hosts exhibitions, performances, concerts, film screenings and social gatherings. September Sessions celebrates the diversity of the Stockholm art scene while also creating a platform for international curators, temporarily transforming the city through an infusion of international verve.
During the festival, a series of exhibitions and events will be organised by Accelerator, Beau Travail, Bonniers Konsthall, Filmform, IASPIS, Index, Konsthall C, Liljevalchs, MDT, as well as a specially curated program by Berlin-based curatorial collective anorak, run by Lukas Ludwig and Johanna Markert, at Antics, Cues and Mint.
The third edition of September Sessions presents Houred Time — a four-day programme curated by anorak (Johanna Markert and Lukas Ludwig), with newly conceived work by artists Annika Eriksson, Nour Ouayda, and Jules Reidy.
September Sessions is an initiative started by Index and Mint More
Index welcomes you to Slipping Into Slipping Away with Chipo Chipaziwa.
With her latest performance, Slipping Into Slipping Away, Chipaziwa investigates into the intersections of memory, legibility, archives, liminal encounters, and psychoanalysis.
During the performance, the artist book My Mother, My Home will be available.
Chipo Chipaziwa (b. 1997) is a performance artist whose practice investigates the power dynamic between performer and audience. She has received her BA in Visual Arts at the University of British Columbia in 2019. Chipaziwa has performed at Art Metropole (2025); Plug In Institute of Contemporary Art (2025); and Western Front (2024). Chipaziwa is a recipient of Canada Council for the Arts’s Concept to Realization Grant (2024); The BC Art Council’s Early Career Development Grant (2023, 2022); Canada Council for the Arts’s Research and Creation Grant (2023); the City of Vancouver’s Communities and Artists Shifting Culture Grant (2023); and the City of Vancouver’s Cultural Learning and Sharing Grant (2022). More
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Looking at the Woman in a Bomb Blast is a unique piece of art writing by artist and writer Daniel Jewesbury, published by ArtMonitor: Voices, University of Gothenburg, exploring power, desire, looking, and artistic and erotic obsession.
A slender young woman falls backwards, blown off her feet by a bomb. Frozen in time, her bare legs stick up, her hands grasping the air. Her face is covered by a page from a newspaper.
The woman is a sculpture, made by the Irish artist F. E. McWilliam in 1974. In this bronze figure’s awkwardly graceful near-death contortions, entire histories of pain, death, sex and visual pleasure have been condensed. Jewesburys book uses different voices to unravel these histories: a writer labours over his explanation of what she means, while the Woman herself offers acerbic asides. Interwoven with this is a visual geneology of the sculpture, compiled from art history, McWilliam’s scrapbooks and drawings, and newspaper reports of the bombing that propelled him to make the work.
Daniel Jewesbury was born in London, but lived in Ireland for 25 years, and moved to Gothenburg in 2017. Jewesbury is a Senior Lecturer in Fine Art at HDK-Valand Academy of Art & Design and is currently preparing for a solo exhibition at Röda Sten Konsthall at the start of 2026, which will feature new and recent works in film, video and photography.
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In August, Index Teen Advisory Board (ITAB) welcomed artist and writer Ruby Nilsson for a session exploring experimental approaches to text. Nilsson introduced the group to her practice through two published texts, the video work Magna Paranoia, and by sharing two hands-on writing exercises.
The first exercise was a cut-up experiment, where they reassembled Marinetti’s The Futurist Manifesto into a counter-manifesto, constructing a new text out of Marinetti’s own words. The second was a collective writing exercise, in which the group responded to a scenario posed by Ruby, co-writing a text in dialogue with one another’s voices. Both exercises explore how existing words and structures can be reshaped to imagine new possibilities. More
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Sunday Read is a monthly gathering for anyone aged 16–21 who wants to read, think, and talk about contemporary art together.
The three previous sessions has been a close-read of Johnny Chang & Louise Nassiri, “Floating in the White Sea: A Foray Into the Contemporary Art Institution” (2018), Ursula K. Le Guin, “The Carrier Bag Theory of Fiction” (1986) and Susan Sontag’s “On Plato’s Cave”. For the next session Hito Steyerl’s “In Defense of the Poor Image” (2011) will be read and discussed.
Sunday Read is a place for shared exploration. Each time, different types of texts related to art are introduced; poems, short stories, texts written by artists, exhibition texts or art theory. Do you know someone who you think would be interested? Invite them! More
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10 years ago Index opened the exhibition Simone Forti: Here It Comes. The exhibition gave an in-depth insight into the practice of the highly influential artist, choreographer, dancer, and writer Simone Forti, who came to prominence in the 1960s, in a historical moment of rich dialogue between visual artists, musicians, poets and dancers.
Her work developed a radically new approach to dance incorporating everyday movements and improvisation, exploring the body as a tool for experience and interaction. Forti’s work often develops in collaboration with other practitioners, including La Monte Young, Yoko Ono and Charlemagne Palestine.
Here It Comes presented a selection of works from different periods and areas, with sculptures, drawings, documentation of performances and videos.
*Index Archive is a feature in the Index Newsletter, where we as an institution look back at our history and bring forward something from the vast archive of Index.More
Index in press
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