John Skoog and Emanuel Röhss: MAD HORIZON

24 September–4 December 2016

John Skoog and Emanuel Röhss: Mad Horizon, installation view, Index 2016. Photo: Johan Wahlgren
Still from John Skoog, Shadowland, 2015
John Skoog and Emanuel Röhss: Mad Horizon, installation view, Index 2016. Photo: Johan Wahlgren
John Skoog and Emanuel Röhss: Mad Horizon, installation view, Index 2016. Photo: Johan Wahlgren
John Skoog and Emanuel Röhss: Mad Horizon, installation view, Index 2016. Photo: Johan Wahlgren
John Skoog and Emanuel Röhss: Mad Horizon, installation view, Index 2016. Photo: Johan Wahlgren
John Skoog and Emanuel Röhss: Mad Horizon, installation view, Index 2016. Photo: Johan Wahlgren
John Skoog and Emanuel Röhss: Mad Horizon, installation view, Index 2016. Photo: Johan Wahlgren
John Skoog and Emanuel Röhss: Mad Horizon, installation view, Index 2016. Photo: Johan Wahlgren
Daniel R. Small: Excavation II, (Column Fragments and Nails), 2016, plaster, horsehair, steel. Photo: Johan Wahlgren
Curtis McClean: Sheriff Set, 2016, inkjet print, card-stock, polyethylene film, toy badge and gun. Photo: Johan Wahlgren
Production images from Det Omringade Huset, director: Viktor Sjöström, 1922, photographer unknown, framed archival inkjet prints. Photo: Johan Wahlgren. Courtesy of AB Svensk Filmindustri
John Skoog and Emanuel Röhss: Mad Horizon, installation view, Index 2016. Photo: Johan Wahlgren
Bjarke Hvass Kure: 2001, 2016, reconstructed IBM Tele Pad, modelled on Samsung Galaxy Tab Pro, footage of New York City filmed from the International Space Station on 11 September 2001. Photo: Johan Wahlgren
John Skoog and Emanuel Röhss: Mad Horizon, installation view, Index 2016. Photo: Johan Wahlgren
John Skoog and Emanuel Röhss: Mad Horizon, installation view, Index 2016. Photo: Johan Wahlgren
Studio for Propositional Cinema: Cut With Some Pieces of Cinematography, 2016, spray paint on wall. Photo: Wahlgren
Otto Krauskopf, Illustrations for Winnetou Vol. I, II and III, published by Karl May Verlag in 1921, Date unknown, ink and watercolor on paper. Photo: Johan Wahlgren
Still from John Skoog, Shadowland, 2015
Still from John Skoog, Shadowland, 2015

Index presents Mad Horizon, an exhibition by John Skoog in collaboration with Emanuel Röhss. The center of the exhibition is John Skoog’s most recent film Shadowland, screened within an installation developed together with Emanuel Röhss, and a selection of further works by other artists and related archival materials. The works serve as a background for a series of events that unfold over the course of the exhibition and explore its central themes, such as the relationship between landscape and identity and the role of moving images in creating and mediating places. The exhibition is the first major presentation of the artists in an institution in their native country Sweden.

Shadowland was filmed on original locations in California, places that have been used in seminal Hollywood films to represent other places in the world, from Switzerland to Afghanistan. The film is carefully constructed, each scene re-stages the camera work of the initial film in the contemporary setting. The resulting montage presents an atmospheric portrait of California as an actor that has appeared on screen as nearly any part of the world. The film creates an ambivalent reading of landscape as an image that resonates in film history as well as with the current politics and economy of place.

The film will be presented together with an installation that brings together material from Emanuel Röhss’ extensive project about the Ennis House (Frank Lloyd Wright, 1924) in Los Angeles. The house has been featured in countless movies, it was used as a location for numerous shoots and even more so as a reference in production design, like a placeholder onto which imaginary environments have been projected. For his project, Röhss used movie-set elements that reference parts of the building – vacuum formed plastic reliefs fabricated by the Hollywood studios through conveyor belt production methods. These elements were used in two recent installations by Röhss to create complex and immersive environments. For the exhibition at Index, the set pieces will be installed in a new configuration to suggest a framework for the film by John Skoog, both spatially and thematically.

The exhibition includes a number of works by artists Daniel R. Small, Buck Ellison, Bjarke Hvass Kure, Studio für Propositional Cinema and Anne Gry Friis Kristensen, as well as additional documents and reference materials, and performances, film screenings and talks with Lucy Raven, Phil Solomon, Carl-Michael von Hausswolff, ThomAndersen, Dominique Gonzalez-Foerster and Heksesolan (Olga Ravn, Johanne Lykke Holm). A book, published after the end of the exhibition, will document the project and include further texts by participants and additional contributors.

John Skoog (born 1985 in Malmö, lives and works in Copenhagen) studied at the Städelschule in Frankfurt. He was awarded the Baloise Art Prize in 2014 and the ars viva prize in 2013. Recent exibitions and screenings include Värn, Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK, 2015), Slow Return, Museum für Moderne Kunst Frankfurt am Main (2015), Shadowland, Pilar Corrias, London (2015), Berlin International Film Festival (2015) and Federsee, Johan Berggren Gallery, Malmö (2013). Skoog is currently the professor of the film class at the Art Academy in Mainz.

Emanuel Röhss (born 1985 in Gothenburg, lives and works in Los Angeles) graduated from the Royal College of Art in London. Recent exhibitions include Invitation to Love, Thomas Duncan Gallery, Los Angeles (2016), Swedish Art: Now!, Sven Harry’s Konstmuseum, Stockholm (2016), The Night Holds Terror, SALTS Basel (2015), Boutique Litigation, T293, Rome (2015), Tomorrow London, South London Gallery (2014), and Soft Jazz, Carl Kostyál, Stockholm (2014).

Social Media: @indexstockholm #madhorizon

The exhibition is generously supported by the Hessische Kulturstiftung, the Foundation for Contemporary Arts Emergency Grant and DJBFA / Composers and Songwriters.


Events

Sat 24 September 2016, 16:30
Emanuel Röhss: Location Scout
In collaboration with Anne Gry Friis Kristiansen
Performance

Mon 26 September 2016, 19:00
Julia Feyrer: Mudflats Living
Screening of the documentary Mudflats Living (directors: Robert Fresco and Kris Paterson, 16mm, 1972, 29 min.) together with two films by Julia Feyrer

Wed 5 October 2016, 19:00 (films start at 19:30)
Phil Solomon: In Memoriam
Screening
Phil Solomon: Crossroad, in collaboration with Mark LaPore, digital video, 2005, 5 min.
Phil Solomon: Rehearsals for Retirement, digital video, 2007, 11 min.
Phil Solomon: Last Days in a Lonely Place, digital video, 2007, 20 min.
Phil Solomon: Still Raining, Still Dreaming, digital video, 2008, 12 min.

Wed 26 October 2016, 19:00
Hekseskolen (Johanne Lykke Holm and Olga Ravn): Leksak/Amulett
Reading and performance

Wed 2 November 2016, 19:00
Oskar Karlin
Talk

Wed 9 November 2016, 19:00
Alberto Altés, Delaying the Image
Talk

Wed 16 November 2016, 19:00
Maria von Hausswolff: Three Houses
Screening
Maria von Hausswolff: Evidence of the not yet Known, 35mm transferred to HD-Video, 2015, 7 min.
Female, Director: Michael Curtiz, 35mm, 1933, 45/60 min

Thu 24 November 2016, 19:00
Dominique Gonzalez-Foerster and Ange Leccia: Gold
Screening
Location: Biografen Zita, Birger Jarlsgatan 37
Organized in collaboration with Film i Samtidskonsten

Thu 1 December 2016, 19:00
Thom Andersen: Los Angeles Plays Itself
Screening
Location: Biografen Zita, Birger Jarlsgatan 37
Organized in collaboration with Film i Samtidskonsten

Sat 3 December 2016, 19:00
Carl Michael von Hausswolff
Performance

Sun 4 December, 14:00
John Skoog: John Wayne Slept Here
Talk

Sun 4 December 2016, 16:00
Studio for Propositional Cinema: Cut With Some Pieces of Cinematography: A Sonata for Two Women
Performance

Lucy Raven: On Location
Illustrated lecture, Date TBA